A-JAM Performances and Interviews at KRTU Studios - An Annual Tradition

On June 3, 2015, multi-instrumentalist Thomas Mullins led his combo into KRTU's Studio B at Trinity University for what has become an annual tradition since 2011: a recording session featuring participants in the A-JAM program. The session was produced by KRTU Operations Manager Emilio Alvarez, for broadcast as part of the South Texas Jazz Project. For many A-JAM participants, this marks their first professional recording, and--for most--their first on-air radio broadcast. A-JAM thanks KRTU for their support of our program! Listen to the show right here.

Thomas Mullins

This year, the group was primarily alumni of the A-JAM program: Odie Wallace on bass (A-JAM 2013, IASJ Denmark), James Buentello on drums (A-JAM 2011), Marco Antonio Escobedo on guitar (A-JAM 2011), with newcomer Alisa Cotto (Northwest Vista College) on voice. Standing by and joining in were potential A-JAM candidates for 2016, Francis Stromboe from San Antonio College on guitar and bassist Roberto Alaniz from Northwest Vista.

Thomas Mullins, a 2015 graduate of Northwest Vista College, will enter the UTSA music program with a scholarship in composition this fall. A student of classical guitarist Dan Smith, he auditioned on guitar. He studies trombone and improvisation with Armin Marmolejo of Palo Alto College. As a composer, Mullins received a Jack Stone Award for New Music in 2013, while at Northwest Vista College. Thomas Mullins is the 2015 A-JAM delegate to the prestigious IASJ international jazz meeting, to be held this year in Lisbon, Portugal.

Top 10 Tunes to Know in Jazz (IASJ 2000, Paris)

Highlights of this year's recording session were performances of two of the "IASJ Top 10 Tunes to Know in Jazz," "There is No Greater Love" and "Softly, As In A Morning Sunrise."

The performance segment of the program was followed by interviews, with students recounting memorable moments of their A-JAM experiences. 

"What are you experiencing now--that you didn't have before you entered the program--in your musical journey?" Alvarez asked Mullins. "Someone to push me into the scenarios that I need to be in, in order to grow as a musician; as a jazz musician, but--overall--as a musician. Going to the open jam sessions, going to the master classes; things I'd probably shy away from if given the opportunity. But Katchie is very good at pushing, so it just puts you in the scene, makes you get your hands dirty, do the heavy lifting. You get up there, do the best you can, take your licks, go home to the drawing board, and try and come back stronger the next day."

The conversation touched on aesthetics, with Mullins contributing heartfelt and profound thoughts. Asked who he was listening to lately he replied, "I've gotten into Thelonious Monk a lot more than I had been prior. But I've been straying more toward vocalists, like Billie Holiday, Ella Fitzgerald, Nina Simone. Something about…they've got this beautiful melancholy that really draws me in. That's one of the aspects of music I really enjoy.  Sometimes more upbeat music seems to me a bit false, like it's got something to hide. But those melancholy songs, they're revealed, they're laying everything out, they're vulnerable. It's fragile. I really enjoy that kind of music...I want to try to encapsuslate that style."

Eric Ineke masterclass with Odie Wallace (IASJ 2013, Denmark)

Odie Wallace, who was the A-JAM student delegate to the 2013 IASJ international jazz meeting in Denmark, summed up his experience there. 

"It was life changing. I was just telling some of the guys before we started this interview that, going over there, I got my butt kicked all up and down the streets of Denmark--musically of course--but it was a great learning experience. If it hadn't have been for that, I don't think I'd be where I am today, with the knowledge that I have today and the connections, the networking. It was just a big combination of playing, learning, meeting people, and then you get to take that home with you, even if you felt you didn't do 100%. I've felt, ever since I got home--ever since I hit the state soil again--that it has been nonstop for me, trying to be better than I was when I was over there. Just having that--being part of that experience alone--has been the most important thing to me. It was the catalyst for where I am today." 

As of this writing, Odie Wallace is on full scholarship in the jazz music program at St. Mary's University, where he studies electric bass with Jim Kalson, drums and percussion with Joe Caploe, and plays in small and large jazz ensembles. He auditioned on drums, bass, and percussion. The faculty of St. Mary's reported that his was among the best auditions they'd ever had. Wallace performs currently as a leader and side person in various groups and settings in and out of town. Keep up the good work!

"It's Not About the Music" - The International Jazz Meeting

"...a documentary film about jazz education that's not about the music. It's a film about collaboration, creativity, and community; a film about sharing ideas across cultures, a film about the legacy that passes from generation to generation; a respect for the elders, and the hope that the younger generation will take that knowledge and pass it forward. David Liebman, who won the NEA Jazz Masters award in 2011, founded the IASJ [International Association of Schools of Jazz] about twenty years ago with the sole purpose of creating a forum for cross-cultural communication." - Leon Segal, filmmaker and psychologist.

If you're new to the A-JAM program and haven't yet seen the teaser for Leon Segal's documentary film on the IASJ's annual international jazz meeting, take five minutes to watch it now.

 Learn how this intercultural conference affect the lives, careers, and curricula of students, teachers, and schools; and the impact they have on local and global communities. Very inspiring! Could be YOU next year...

The International Jazz Meeting, a "Pearl Beyond Price" - Perspectives from Ronan Guilfoyle

"It's remarkable that jazz, as a means of human communication between people from different cultures, brings people together for a week in tremendous camaraderie and friendship. I think that's really a pearl beyond price..."

Watch this short and personal history of the International Association of Schools of Jazz (IASJ) from founding member artist-teacher and bassist Ronan Guilfoyle, head of the Newpark Music Centre in Dublin, Ireland. IASJ presents the annual intercultural and intergenerational jazz meeting that is the jewel in the crown of the A-JAM program.

"In twenty-three meetings, I've brought twenty-three students, and every one of those will tell you--have told me--that this was really a life-changing experience for them." 

A-JAM prepares young San Antonio musicians to enter the global jazz community, right at the top of the field. The international jazz meeting introduces our best students to their peers from all over the globe.  It's a game changer. Learn why and how it works...

As a founding member, Ronan has been to some twenty-three of the meetings. "In twenty-three meetings, I've brought twenty-three students, and every one of those will tell you--have told me--that this was really a life-changing experience for them." 

Speaking of memorable moments, "It's terribly difficult to pick just one moment, because there are so many moments...I remember particularly being in the United Nations building when the meeting was in New York, the Brazilian music we heard when it was in Sao Paulo, the South African music we heard...and, of course, tremendous performances..."

"It's incredible every year when you go to the meeting and you see the concerts by the students and you realize that--literally from all over the world--the music that they play after only four or five days of rehearsal is really extraordinary."

 

Cape Town 2014 - The Final Session

Liebman's parting words...
Always an inspiration.
Take the time to watch!

http://www.iasj.com/iasj-jazz-meetings/iasj-jazz-meeting-2014/2014-iasj-jazz-meeting-final-session

David Liebman, Artistic Director of the IASJ (International Association of Schools of Jazz), speaks at the final session of the international jazz meeting in Cape Town, South Africa 2014. He speaks to every year's crop of talented and eager students from all over the world who have participated in the meeting, held at a different school each year. This is the first time in the history of these meetings (since 1989) that his talk has been filmed. You are very lucky to hear it right now. Watch all of it, at your leisure, and be inspired. Even those of us who have heard him speak for years come away inspired anew. He has something right-on and new to add each time. This is what the A-JAM program is about, and what the jazz life is about, from the perspective of a bona fide Jazz Master who has made a brilliant career as a performer, band leader, and international jazz educator.

It could be YOU next year, representing A-JAM at the jazz meeting in Lisbon, Portugal in June 2015...

Memories of Cape Town - IASJ International Jazz Meeting 2014

WATCH THIS YOU-TUBE! Gerry Hemingway, hugely talented drummer and inquiring musical mind, created a short video with highlights of some of the South African music we heard and learned about in Cape Town, as part of the 2014 IASJ international jazz meeting. Amazing stuff! Could be you next year, in Lisbon... :-)

And here's a snap shot of the IASJ singer women from the meeting. Surrounded by our talented students, the three teachers-performers are in the top row, middle: Jenny Robson (Sibelius Academy, Helsinki) top, second from left, Katchie Cartwright (Northwest Vista College A-JAM, San Antonio) center, and Joana Bettencourt (Hot Club of Portugal, Lisbon), second from right.